How do I log in to the Dartmouth College website?
Clicking most electronic resource links on our website or in the catalog while off-campus will take you to the Dartmouth College login page. If you have a NetID and password, enter it here and you'll be granted access. Not sure if you have a NetID? Search the Dartmouth Name Directory to find out.
How do I log in to Dartmouth without a netid?
Search the Dartmouth Name Directory to find out. If you have a NetID, another option is to install the GlobalProtect VPN on your computer, which will allow you to access electronic resources off campus without the need to log in. No NetID? Use Secure Access/Citrix.
What are the Dartmouth Library fellowships?
Three Dartmouth Library fellowships provide a terrific opportunity for graduates to explore different careers in libraries and gain practical experience. These are one year, full-time paid positions ($17/hour for 37.5 hours/week) with benefits (the Fellowship award amount includes salary, benefits, and professional development).
What resources can I use when I connect to Dartmouth-Hitchcock?
When you connect to the Dartmouth-Hitchcock network using Secure Access, you can use the following resources: Utilities and My Files, which includes your network drives (H and I drives) Additional resources are being added all the time.
Teaching Assistance
Consult with your subject librarian about joining your class or participating in a course Slack channel. They can work with you to create assignments using library resources. Or ask them about creating a customized research guide to meet the specific needs of your course or research assignments.
Course Materials
Course Reserves Request physical materials to be checked out or digitization of course materials to be placed online in your Canvas course.
COPYRIGHT & SHARING
Review our quick guide on copyright concerns, finding openly available materials for teaching, and sharing your research.
OUR PARTNERS IN TEACHING
Library staff are actively involved with teaching and learning partners across campus to support you and your students’ needs for this fall term.
Resources for Faculty
Course Reserves: Information about course reserves and forms to request reserves for the current or upcoming term.
Need a teaching space? A presentation space? A light-duty studio space?
The Innovation Studio transforms easily between a teaching and presentation space, and a small black-box filming studio. The Innovation Studio also features an 8-screen video wall for greater impact and multi-source viewing. ( Reserve)
Starting a new multimedia project?
Equipment: We have a wide variety of consumer and prosumer audio and video equipment available to borrow for free. Equipment pick up and return is available Monday - Friday from 10:00 am - 4:00 pm. Equipment check-out, pick up, or return is NOT available on Saturdays or Sundays. Find out more on our equipment page.
Need help or training?
We are offering in-person and remote digital media workshops for students, faculty and staff! Zoom sessions and in-person workshops cover online resources, media equipment instruction, introduction to editing software and more.
Looking for access to software?
Dartmouth has made Adobe Creative Cloud applications available FREE to all Arts and Science undergraduate students and Guarini graduate students. For instructions and support on how to access the applications go to Dartmouth Service Portal: Adobe Creative Cloud Software.
Installing Remote Desktop Services (RDS)
If your computer is part of the Dartmouth DAP (Device Assurance Program), follow the steps below
Configuring Remote Desktop Services (RDS)
The first time you run Microsoft Remote Desktop you may see a "What's New" window. Click Don't show this again, then click Close.
Using Remote Desktop Services (RDS) after initial installation
Once setup is complete, you can access RDS applications directly from the Microsoft Remote Desktop app.
How to login to Dartmouth College?
Clicking most electronic resource links on our website or in the catalog while off-campus will take you to the Dartmouth College login page. If you have a NetID and password, enter it here and you'll be granted access. Not sure if you have a NetID? Search the Dartmouth Name Directory to find out.
What to do if you don't have a NetID for Dartmouth?
If you do not have a Dartmouth College NetID, you'll need to access the Biomedical Libraries website through Secure Access/Citrix. By accessing content through that system, you'll 'mirror' the Dartmouth-Hitchcock IP and be granted access to electronic resources.
Dartmouth Library Fellowships available for 2021-22!
Published on March 1, 2021 Author Morgan Swan Leave a comment on Dartmouth Library Fellowships available for 2021-22!
The Interaction of Color
In visual perception a color is almost never seen as it really is—as it physically is. This fact makes color the most relative medium in art.” –Josef Albers
Discover the A&AE Portal
The A&AePortal is a ebook resource that features important works of scholarship in the history of art, architecture, decorative arts, photography, and design.
La Cortada
La Cortada is the story of Cuban American scholar Ruth Behar’s immigration from Cuba to America. She was almost 5 when her family immigrated, but unlike other family and friends who immigrated around the same age, she had no memories of her life in Cuba.
Discover Materials! in JSTOR Forum
Professor Ulrike Wegst at the Thayer School of Engineering developed a library of material samples that allows students to explore the structures, properties, and processing characteristics of common metals, ceramics, polymers, composites, and natural materials.
Receuïl de Lions by Bernard Picart
Born in Paris in 1673 Bernard Picart was a French artist who spent much of his life in Amsterdam and is most well known for his book illustrations.
Holding Court: Lucas C. Hollister
In this week's edition, we speak with Lucas C. Hollister, Assistant Professor of French and Italian Languages and Literatures. In his most recent book ' Beyond Return Genre and C ultural Politics in C ontemporary French Fiction ', he proposes new perspectives on the cultural politics of fictions.
